Hauchtext: Liebesgedicht (1973)
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Hauchtext: Liebesgedicht
Hauchtext: Liebesgedicht (1973) jadi salah satu film film yang banyak diperbincangkan penonton. Valie Export breathes heavily at the video camera lens while slowly moving her face across it, fogging up the entire space with her lung’s volume. Her piece takes Olson’s breathy poem ‘Gli Amanti’ a step further, not just aiming to capture the particularities of one’s pronunciation in an individual speech act but substituting the specific make her body creates – her ‘breath text,’ the moist gasp on the window glass in front of her – for the signs one would use to write an actual, linguistic ‘love poem.